Ralph Lauren celebrated the 50th-anniversary of his brand with a digitally-driven immersion. So-called LED sculptures, otherwise known as large scale digital displays, appeared under Central Park trees showcasing cuts from the designer’s most memorable collection reels. Campaign archive imagery as then projected across the walls of two T-shaped chambers that told the brand’s story through Lauren’s narration himself. The installation is now at the flagship store in NYC. An app launch was also part of the celebration: in addition to shopping, the platform gives consumers insider access and exclusive content.
At London Fashion Week, footwear designer Nicholas Kirkwood’s show saw teenage hacker CyFi walk the runway alongside actress and #MeToo activist, Rose McGowan. Set in an underground bunker, with flashing monitors and LED lights, their appearance was tied to an underlying political message from Kirkwood against conformity. His latest shoe collection was inspired by tech and cyber-reality, with details including graphic TV static–style print and constructions that looked like tangled computer wiring. The show also featured a hologram technology that showed the collection’s main shoe, a boot with neon yellow detail, in 3D by UK company Hologrm.
A robot debuted on the catwalk of London Fashion Week adorned in head to toe crystals. Part of the show of LA-based designer Honee, the telepresence machine was created in partnership with Silicon Valley-based OhmniLabs. Honee said the show “celebrates the human spirit via the robots”. Her vision was to marry fashion, culture and technology through the experience.
At Paris Fashion Week, Maison Margiela surprised guests with 12 enormous projections alongside the catwalk at the launch of its new fragrance, My Mutiny, the first to be released under John Galliano. The film showed a behind-the-scenes look at the campaign. Miu Miu also decided to use projections, with models’ faces featuring bold lips and vivid red streaked across their eyelids, placed onto bubble letters spelling out the brand’s logo. It was a way to complement the theme of the collection: “Deconstructing beauty”.
If there was one show that stole the tech limelight this season however, it was Balenciaga. Taking immersion to the next level, the set saw a 360-degree kaleidoscopic tunnel designed to replicate the inner workings of a computer. Projectors cast multicolored lights onto the walls of the auditorium, which changed color and speed depending on both the model walking and the track playing. With set design by Jon Rafman, the idea was to draw influence from and attention to modern technology and digital media. The most controversial part of the show was actually on the clothes: Powerpoint Clip Art effects and Comic Sans adorned some of the prints. After turning ugly daddy sneakers into the hypest pair of shoes, Balenciaga is the right brand to end the ban of Comic Sans.
Read more from The Current Daily here
Words and images by The Current Daily